Saturday, August 29, 2009
Diversions
Still Life is a diversion for me. It can be good practice in modeling form, but I always get caught up in the color play.
Thursday, August 27, 2009
Booth Mock Up
Here are some booth mock-ups for the upcoming Sausalito Art Festival. The actual booth will be flush with art, instead of thin as shown here, but this is a good preview of how my art is framed and how it will be hung. C U There!


Friday, August 7, 2009
The Lighthouse Keeper
This was posted previously, but only as a scan. It is a studio finish from a plein air painting made on the Oregon coast.
Did you know that lighthouses, back in the day, would burn whale oil or kerosene? And, what's more, they were as popular for tourists in the nineteenth century as they are now. Except, of course, the travel there was harder.
The gift store by this lighthouse had paper models of the lighthouses. I imagined using these, well lit, as studies for more paintings. Some day you'll see those here.
Yaquina Head Lighthouse.
Thursday, July 30, 2009
Wonderful Washington Workshop
I can tell that the Richard McKinley workshop just concluded in Mt. Vernon, WA was a success by the results that show in Loriann Signori's work. Her recent works are still very much Loriann's signature style, but they are her work at its best - great clarity, superb color and authentic. Her heart is in it, and she's creating lovely pastels that you should take a look at. These are my favorites: The Field 1 & 2.
If you've ever taken an art workshop of any type, let alone one of the length and intensity of McKinley's La Conner one, you know how it can turn you inside-out with the issues of self-direction versus a strong and influential teacher's style. You are there to adopt and apply the teacher's ideas, and yet you have your own statement to continue. I have lost sleep over these things!
My interview of Signori is here: Plein Air On Purpose.
She suggests that Washington State is an inspirational locale. I agree, of course! Skagit County, where McKinley's workshop takes place, is the art rich home of the Northwest School (Tobey, Callahan, et al.) and is noted for the strange diffuse light that permeates the marine air. Some day you really ought to make the trip to see for yourself.
Richard McKinley
La Conner Art Workshops
Loriann Signori's Painting-a-Day
Museum of Northwest Art (MoNA)
Friday, July 24, 2009
Materialkunde
Pastels are an endless source of wonder as a medium. The dust on butterflies' wings, it has been called.
Astrid Volquardsen is blogging about the pastel medium in detail. She is comparing paper, stick softness, pencils and has a particularly fun post on manufacturing pastels.
My interview of Astrid Volquardsen is here.
Tuesday, July 14, 2009
Friday, July 10, 2009
Plein Air Cedar Shed
Cedar Shed with Stool5" x 7"
Pastel
Casey Klahn
On site painting this month has been ticking along. A number of scenes around the garden ("cedar") shed have been done, featuring cast light and various surfaces. The surface is the light grey La Carte, but the results still are very warm.
I am bringing this post "over" from The Colorist because I want to follow my plein air project here, and keep the River Series going at that blog. Think: pastel paintings here, concepts and ideas there.
I am bringing this post "over" from The Colorist because I want to follow my plein air project here, and keep the River Series going at that blog. Think: pastel paintings here, concepts and ideas there.
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