The Meadows #235x25cm
Soft pastel on board
Gesa Helms
Gesa Helms' discovery of pastels has been a colorist romp through nature's basket. Want loose handling? If so, I offer Gesa's art as an example of open and honest exploration of marks, colors and responses to the scene.
Gesa Helms:
My main work is as an academic - I trained as a human geographer and now work in an urban studies department. And while drawing and painting begun rather innocently as diversion, I can see how much the work process of an artist allows me to explore questions and problems in a different and rather intriguing manner. Increasingly, I am trying to bring these two ways towards creativity, knowledge and process together.
The Meadows #1 35x25cm
Soft pastel on board
Gesa Helms
Soft pastel on board
Gesa Helms
The countryside of where I grew provides a lot of inspiration for experiments from plein air sketches into more abstract paintings.
I discovered soft pastels four years ago when I began drawing. Adding hues to the monochromatic worlds of sketches and studies was a revelation. The vibrancy and high pigment load of soft pastels has kept me fascinated since, and yet I am increasingly employing pastels as one medium among others - including acrylics, gouache, a bit of collage and more recently printmaking. Casey's Colorist, and its younger sibling Pastel Blog, was one of the first blogs I stumbled upon and I fell wholeheartedly for Casey's approach to New School Color. I feel very honoured to be able to show some of my work here. - Thank you, Casey!
Most of my subject matter is taken from nature observations. Here, a small pastel kit has served me well for plein air sketches, alongside graphite or an ink pen. These sketches provide the source for numerous explorations around subject matter, composition, medium and markmaking.
Next Post:
Gesa's work exploring Wolf Kahn's palette and marks in monotype and pastel.
Posts
2 comments:
Hi Casey - yes, that's a good idea to divide the pictures up; it's interesting, I haven't looked at these two for a while; and having them look back at me from your blog, there's a few ideas popping up of what to do with them - palette and markmaking-wise; even more so, since I'm back with (other) fields for the printmaking.
Thank you!
Different context reveals different things - glad that works well for you.
The final post will be up in a day or two, and I will have some comments along with.
The pleasure is all mine.
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