Dear Casey, thanks for the opportunity to give me some of your space to tell about myself and my work. I just thought the other day, how great it is, to read all these different blogs. To have a look at what's going on somewhere else. For me, it was a great relief to find out that there is a whole bunch of people who favor the same kind of art. It makes it much easier to keep up your self-esteem, to be authentic in your work and persevere in your darkest hour. I think you know what I mean.
Astrid's interview continues...
Materials
After experimenting a lot with different kind of pastel grounds I now stick with Sennelier pastel card. Its sanded surface suits my needs very well. I do a lot of blending with my hands especially on the first layers, so I need soft pastels. There again it is Sennelier Pastels à l'écu . I love their luminosity and wide impressionistic orientated color range. Some artists criticize that they easily crumble. Well, in the end all pastels crumble and I just simply don't care, if they supply me with the colors I need. In addition I use Unisons and Girault for details.
10 x 30.4 inch
Soft Pastel
© Astrid Volquardsen
While at the shore, I take pictures, do sketches and if there is time and the weather is O.K., I paint plein air. At the shore, this isn't always easy. Often I have to secure my easel or otherwise it will be blown away by the strong wind.
Most of my work is painted in my studio. Usually I work with a lot of layers and constant blending, adding a new layer and taking away parts of that layer. This method I use especially for the waves as you can see in the picture.
Detail of the wave of 'Abends am Amrumtief'
© Astrid Volquardsen
Artistic Direction
To capture light is the most important aspect for me. It's not so much about color, but always about light. In the last years my focus was on maritime landscapes and I love to paint in a small format.
Vor dem Regen
5.2 x 8.4 inch
Soft Pastel
© Astrid Volquardsen
To capture the wide open spaces at the seashore in miniature is something I really love to do, even though I do have larger formats as well. Right now I'm preparing a new exhibition in Mai on the Frisian Islands (Föhr) and have reached the point where all is in doubt. I love my seascapes, but I have the need and feeling to move on to something completely different. So in the future, I think, I will turn to more figurative work. Some sketches are already on my studio wall.
If you would like to have a look at my pastels on my website, on my homepage www.pastellbilder.de you have to click on “Werk-Reihen”, and then just click on the image.
Or you go to my blog, Pastell Blog, if you scroll down or look at the older posts you might get a further impression of my work.
Posts
4 comments:
Astrid, this is beautiful. It is very obvious you love the sea as you've observed and captured it so eloquently. Thanks for sharing.
Astrid, these are glorious... though the photos are small, they do give such a sense of depth and motion! I grew up close to you: in Uelzen, but have been living in Glasgow for the past 12 years. I'll have a closer look at your blog, too.
Casey - your guest slot is such a good idea!
Hello,
thanks a lot for your nice comments. That means a lot to me. When I opened my webmail this morning, I got so many encouraging emails from all over the world. Actually, I'm quite speechless....
Casey, thanks again.
Your art speaks volumes for you, Astrid - I'm not surprised at the reception. Bravo!
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